HCI + Sound & Music Computing
Technology • Design • Experience
This is my personal website, blog and portfolio. The views expressed on this website/blog are mine alone and do not necessarily reflect the views of any other individual or organisation.
A Random Blog Post 2006-2022
Latest Blog Posts
- New Reflecting on 2023
- Teaching Audio Electronics using Hybrid Technologies
- We Are Hiring! Postdoc in Sound and Music Computing
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Latest Publications
- New Jawad, K., Xambó, A. (2024) “Feminist HCI and narratives of design semantics in DIY music hardware”. Frontiers in Communication. 8:1345124 (Open Access).
- Xambó, A. (2023) “Discovering Creative Commons Sounds in Live Coding”. Organised Sound. 28(2): 276–289 (Open Access).
- Champlin, A., Chicau, J., Corfiel, M., Knotts, S., Marie, M., Saladino, I., Xambó, A. (2023) “LivecoderA Community Report” (Community Report Paper). Proceedings of the International Conference of Live Coding (ICLC 2023). Utrecht, The Netherlands.
Latest Performances
- (November 30, 2023) Live coding session at I2MT Inaugural Concert. Featuring music works by Juan Martinez Avila, Steve Benford, Craig Vear, John Richards (AKA Dirty Electronics) and special guest Anna Xambó. University of Nottingham, UK.
- (June 14, 2023) Xambó, A. "Ceci n'est pas une usine". +RAIN Film Fest, Universitat Pompeu Fabra/Sonar+D, Barcelona, Spain.
- (November 27, 2022) Xambó, A. A live coding session using MIRLCa at "Peforming Critical AI I: feedback, noise, corpus, code". MusAI conference, Cafe OTO, London, UK. [Video]
Latest Other Activities
- New (April 12, 2024). Participation in the Academic Panel on The Development and Application of AI in Music". Hosted by ARU’s Dr. Sven-Amin Lembke. Panelists: Dr Anna Xambo Sedo, Dr Geraint A. Wiggins, Dr Oded Ben-Tal and Dr Robin Laney. Sound of Tomorrow, Anglia Ruskin University's Helmore Recital Hall, Cambridge, UK.
- (March 15, 2024). Launch of the EECS Women in Higher Education Network (WHEN), Queen Mary University of London. London, UK.
- (March 13, 2024). Seminar talk "Collaborative, Participatory and Practice-based Research Methods for Sound and Music Computing". CogSci seminar. Queen Mary University of London. London, UK.
Interviews / On the Press
- (August/September, 2023) Testimonial of how I am coping with and using AI in my musical practice, published in the article AI and the Future of Human Made Music. Introduction and Interviews by Jonas Vognsen. Perfect Sound Forever online music magazine.
- (May, 2023) Testimonial from my participation in the panel "Music creation" at the event "Challenges and Opportunities in Music Tech - Open Debate", Universitat Pompeu Fabra, published in the article How will AI coexist with human music? The future is now. Article by Karma Peiró. Challenges and Opportunities in Music Tech. Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain.
- (November 25, 2022) Exposition of my live-coding work published in the book: Blackwell, A.F., Cocker, E., Cox, G., McLean, A., Magnusson, T. (2022) Live Coding: A User's Manual", The MIT Press, pp. 122-124.